How to die/Inopiné
By Mia Habib (NO)
Interdisciplinary deep dive into an unexpected world
Language: Non-verbal/English
This spring has been a reminder that we live in a world going through big changes. A series of crises has led to massive waves of fleeing and migration.
The french philosopher Jean-Luc Nancy thinks we have to redefine our entire idea of the world we live in. He uses the word inopiné, that can be translated to unexpected, to describe this.
The performance How to die – Inopiné uses this idea of the unexpected as a political and artistic tool to bring people together. The project involves artists and scientists from several disiplines. The migrant becomes a symbol for the unexpected, and the entire artistic team has worked with not knowing, migrating from their own mindset and out of their disiplines, becoming a stranger to themselves.
The performance tackles questions of cultural panic, ecological grief and the collapse of the climate. How are these questions connected? And how can we articulate a response to these overwhelming phenomenons?
How to die – inopiné by Mia Habib Productions came to life through an invitation from the opera - NorrlandsOperan - in Umeå, and premiered there in the beginning of February this year. Mia Habib Productions recieve basic funding from Kulturrådet for the years 2019 – 2022.
NB: During the performance there will be some use of strobe lighting and theater smoke (not dangerous to breath) There is some dialogue in English. The performance ends outdoors.
Concept, choreography and dancer: | Mia Habib |
Concept and research curator: | Namik Mackic |
Artistical advisor: | Steinunn Ketilsdóttir |
Original cast and dancing performers: | Harald Beharie, Anna Pehrsson, Asher Lev and Nina Wollny . Due to covid-19 Pehrsson and Lev will be replaced by: Charlott Madeleine Utzig and Otto Ramstad |
Sound designer: | Jassem Hindi |
Light designer: | Ingeborg Olerud |
Costume designer: | Ali Hazara |
Researchers: | Marie Kraft, Ashkan Sepahvand |
Costume consultant: | Christina Lindgren |
Scenography consultant: | Trond Solberg |
Producer and manager: | Grethe Henden |
Producer and international mediator: | Siri Leonardsen |
Pre-production: | Kira Senkpiel |
Photo: | Ingeborg Olerud, Namik Mackic, Tale Hendnes/Dansens Hus |
In co-operation with: | Norrlandsoperan Umeå |
In co-production with: | Black Box teater, Dansens Hus Oslo, BIT Teatergarasjen Bergen, Rosendal Teater and DansiT Trondheim. |
Supported by: | Kulturrådet |
Thanks to: | Organizations and people that the collective has worked with as part of the process: Vän in Umeå, Umeå Arkitekthøgskole, Norges klima- og skogsatsingen, CICERO - senter for klimaforskning, the police in Umeå, In Transit – safe spaces in crisis contexts - project at Arkitektur- og designhøgskolen in Oslo and Tøyen Boligbyggelag. Associated projects: “EXPRESSIONS: the power and politics of expectations in dance” lead by Steinunn Ketilsdóttir and “The New Dionysian Festival” in Brussels. |
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Rosendal Teater is placed in the eastern part of Trondheim, at the other side of the crossing near Lademoen Church. The closest bus stop is Rønningsbakken. Bicycle parking at our wall towards the gas station.
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