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SONGS OF CHAOS

by Roza Moshtaghi & Lykourgos Porfyris (IR/GR)

a dance work that questions the landscape and ownership of land. It’s a reminder that the struggle for love and safety is a fight we are in together.

Varighet: 1 hour
Friday 15. November 19:00
Sal 1
Saturday 16. November 19:00
Sal 1
What does a landscape look like? Why do people enjoy observing a landscape? Is it because of the Horizon or is it because they feel superior to nature and/or other fellow humans? Who has access to a variety of landscapes? Who has the time and the resources to observe things from a higher position?

Songs of Chaos is a new collaborative project between choreographer Roza Moshtaghi and visual and sound artist Lykourgos Porfyris, resulting in a dance work that questions the landscape and ownership of land. It’s a reminder that the struggle for love and safety is a fight we are in together.

Songs of Chaos draws on one of Bertolt Brecht’s most famous plays, The Caucasian Chalk Circle, which tells the story of a peasant girl who rescues an infant and raises him as her own. After the war, the boy’s biological mother wants her son back. The question is: who has the legal rights to the child?

Moshtaghi continues to explore the human desire to adapt to systems and structures in society. The ordinary, or rather what we have forced into the ordinary, is the choreographer’s playing field.

Songs of Chaos consists of five songs, a performance in the theater space, and an installation animated through performative action in public space. Songs of Chaos goes far in its exploration of breaking with the audience’s expectations. Porfyris overperforms the stereotype of the blind wise man and serves as the piece’s narrator and guide. The choreographic material is created in close collaboration with Porfyris’ vision, which is less than 10% sight.

“Sitting in front of a TV displaying a fireplace, trying to understand what does a landscape looks like. Why is it so fascinating for people to look at nature or the city from the top of a mountain or building? Is it because of the horizon, or is it because they feel superior to nature and/or other fellow humans? Who has access to all kinds of landscapes? Who has the time and resources to observe things from a higher position?”

These are among the questions Songs of Chaos seeks to answer. The result is a highly topical dance piece that creates new mythologies and interpretations of common stories.

Presented by DansiT

After the performance on Friday, November 15, there will be a conversation with the artists behind the performance, Roza Moshtaghi and Lykourgos Porfyris, who have 10% vision. The conversation will be moderated by Curating Producer at DansiT, Ingeborg Dugstad Sanders, and Danselaboratoriet dancer Liv-Karin Alm, who is blind – and there will be an opportunity for the audience to ask questions.

About the artists

Roza Moshtaghi is an Iranian artist who lives and works in Oslo. Her creations often are situated within the performing arts field as a choreographer/dancer and performer. Her works deal with the unexplained narratives of desire generated in adapting or reacting to systems/structures. The ordinary, or rather what we have forced inside the uniform of the ordinary, is Roza's playground. She looks for possibilities to hypothesize "the hidden" by digging into the ordinary as a silent landscape. Roza holds an MA in choreography from the Oslo National Academy of the Arts. She presents her work internationally and continues developing projects with other artists as a collaborator and performer.

Lykourgos Porfyris is a visual artist living and working between Oslo and Athens. He holds a BA from Athens School of Fine Arts and an MFA from Kunstakademiet at Oslo National Academy of the Arts. Lykourgos’ practice is engaged with the production of new mythologies and legends. His stories are misinterpreting big mainstream narratives that tend to embrace the victories of the heroes and he is transforming them into alternative fictions, celebrating the failures of the “losers”. In his recent works he is exploring his albino identity and disability (impaired vision). More specifically, he is interested in how disability is represented in occidental history and contemporary pop culture

Content description

Stage smoke, strobe lights, theatrical blood and some sudden/loud noises

Rosendal Teater programs work that challenges what performing art can be, where it takes place and who will create it. We work with voices that are heard less often than others, that are marginalised and alternative. All this means that the performances can often be challenging in their content and expression. If you need to leave the show midway, we have a low threshold and a great deal of understanding for this. On the second floor you will find a relaxed space, where you can retreat. Read more about the relaxed space and accessibility here.

Medvirkende
Choreographer / Concept Roza Moshtaghi
Sound Artist / Concept Lykourgos Porfyris
Performers: Trine Lise Moe, Amie Mbye, Oda Bjørholm
Costume Design: Fredrik Floen
Light Design: Thomas Bruvik
Scenography: Carl Nilssen-Love
Producer: Sunniva Fliflet
Co-Produced by: Dansens Hus, DansiT, KLODEN Teater
Supported by: Kulturrådet, FFUK, Fond for lyd og bilde
Billettpriser
Level 1 250,-
Level 2 200,-
Level 3 150,-
Level 4 100,-
Level 5 75,-
Solidarity ticket (Pay a little extra so that those who can't can pay less) 400,-
Rosendal Teater

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Rosendal Teater is placed in the eastern part of Trondheim, at the other side of the crossing near Lademoen Church. The closest bus stop is Rønningsbakken. Bicycle parking at our wall towards the gas station.

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