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Når det jeg egentlig vil er at du skal holde rundt meg

By Katja Lindeberg produksjoner

The Norwegian majority man is put under the microscope in a warm, candid, and humorous performance where we explore contemporary norms and ideals of masculinity.

Duration: ca 90 min
Language: Norwegian
Tuesday 28. January 19:00
Sal 1
Wednesday 29. January 19:00
Sal 1
Is there a core to being a man, something we can agree on, or is it only paradoxes, contradictions, and differences? Is the male role truly as free and expansive as we like to think? And what purpose does it really serve to talk about roles, when we would rather not be defined by them?

Exploring themes around gender roles and self-image has been a recurring thread in Katja B. Lindeberg’s artistic work, addressed in several performances for both children and adults. With the audience success "Bare en våt munn" (2018), Lindeberg focused on women. This is the sequel: A performance about socially constructed masculinity and male experiences related to being a man in contemporary Norway.

In this performance, we are presented with a mix of gender symbolism, pop culture clichés, and honest confessions to the audience about what it means to be a man today. Three male actors in a clichéd mancave, with a female facilitator studying them. In this laboratory setting, they cannot escape each other’s, the audience’s, or the woman’s gaze. The male role is turned upside down, and the performance explores vulnerability, exposure, expectations, and prejudices.

The concept creates vulnerability and exposure for the men. The ideals and expectations are many, created by both the men themselves, the woman, and society. Inside the mancave, they cannot escape each other’s, the audience’s, or the woman’s gaze, and the male role is turned upside down.

The text material for the performance is directly drawn from over twenty personal in-depth interviews and conversations with men of various ages and backgrounds, as well as the company’s own investigations. They attended a men's conference in Berlin, participated in a drag king workshop, went hunting, built a mancave, and talked about feelings – all to get closer to understanding what it means to be a man today.

The performance premiered at Rosendal Theatre in 2023 and was shown at Black Box Theatre in 2024, receiving particularly positive feedback from a young audience. Young men expressed a longing to share experiences related to the male role, and the performance was seen as very important. After recent years of increased awareness around representation, minorities, and power structures in society, we are increasingly reflecting on how we, as individuals and the groups we belong to, interact with others. But despite new discussions around the male role and men’s mental health, we find that challenges related to men’s gender roles can be forgotten, trivialised, or create polarization.

Artist talk wednesday january 29.

After the show there will be held an artist talk with artist and director Katja Brita Lindeberg. The artist talk will be moderated by director of Trøndelag Senter for Samtidskunst, Carl Martin Rosenkilde Faurby.

Content description

Flashing lights, use of smoke, loud soundscapes – gunshots, prop firearms, and themes such as sex and suicide are discussed.

Rosendal Theatre programs work that challenges what performing arts can be, where it takes place, and who creates it. We collaborate with voices that are less frequently heard, those that are marginalised and alternative. As a result, the performances often present challenging content and expressions. If you feel the need to leave the performance partway through, we maintain a low threshold and full understanding for this. On the second floor, you will find a relaxed zone where you can retreat. You can read more about the relaxed zone and accessibility here.

Medvirkende
Concept, script, and direction Katja Brita Lindeberg
On stage Joakim Thrane, Benjamin Lønne Røsler, Per Magnus Barlaug og Katja Brita Lindeberg
Composer Arnfinn Killingtveit
Costumes Jenny Hilmo Teig
Sound- and video design Eirik Brenne Torsethaugen
Scenography Jørgen Sellevold, Katja Brita Lindeberg og Eirik Brenne Torsethaugen
Dramaturgy/Rosendal teater Guro Hustad Stugu
Producer Katja Brita Lindeberg
Contributors Saila Hyttinen (tekstarbeid), Taneli Törme og Jannik Elkær (arbeid med koreografi) og Katinka Steensgard (workshop i dragking)
Co-producer Rosendal teater og Black Box Teater
Collaborators Dansit
The production of the performance was supported by Norsk Kulturråd, Fond for lyd og bilde, Fond for utøvende kunstnere, Fritt Ord, Seanse, Trondheim kommune og Trøndelag fylke
The guest performance at Rosendal Theatre in January 2025 is supported by Fond for utøvende kunstnere og Fond for lyd og bilde
Billettpriser
Pay what you can 1 280,-
Pay what you can 2 230,-
Pay what you can 3 160,-
Pay what you can 4 110,-
Pay what you can 5 80,-
Solidarity ticket 400,-
Rosendal Teater

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Rosendal Teater is placed in the eastern part of Trondheim, at the other side of the crossing near Lademoen Church. The closest bus stop is Rønningsbakken. Bicycle parking at our wall towards the gas station.

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